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XIX Encuentro Música-Filosofía

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28-30 de junio/2023. RONDA

  • Encuentro M-F
  • Edition 2023
    • Tomás Marco
    • Victor Gómez Pin
    • José María Sánchez-Verdú
    • Gotzon Arrizabalaga
    • Francisco Jarauta
    • Javier Echeverría
    • Raquel García Tomás
    • Alberto Bernabe
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Tag: Participant

Techne and Listening:

ALICIA DÍAZ DE LA FUENTE The Revolution of Avant-Garde Music After the Second World War. After the Second World War, … More

Lecture, Music, Participant, Philosophy

The Meta-Instrument as a Compositional Technique.

ALBERTO ARROYO Strategies of Current Musical Creation. The aesthetic paradigm shift after the Second World War inspired the emergence of … More

Lecture, Music, Participant, Philosophy

Memoria del Rojo: Method, Craft, Technique, and Artistic Purpose

JOSÉ MARÍA SÁNCHEZ-VERDÚ Just as the Islamic masters used certain artisanal techniques based on mathematical, geometric, and theological aspects in … More

Lecture, Music, Participant, Philosophy

Composition as research and/or experiment

J.P. HIEKEL Some experiences in the field of contemporary music. This contribution tries to describe some specific situations and settings within the field … More

Lecture, Music, Participant, Philosophy

The Work of Technites. Kantian Criteria to Discern the Types of Techne.

VÍCTOR GÓMEZ PIN After attributing a series of faculties we share with other animals (sensory capacity, memory, imagination, etc.), the … More

Lecture, Music, Participant, Philosophy

Techne: From Head to Hand (From Counterpoint to Thumb)

GOTZON ARRIZABALAGA Through technique, human beings demonstrate the spectrum of their needs and expectations. They start controlling nature and thus … More

Lecture, Music, Participant, Philosophy

There Is No Music Without Techne

TOMÁS MARCO   Music is not a natural phenomenon but a product of humans. All music, by definition, requires a … More

Lecture, Music, Participant, Philosophy

The Artisan’s Hands

FRANCISCO JARAUTA Lewis Mumford has reconstructed the steps that technique has made in its various derivations when determining the complexity

Lecture, Music, Participant, Philosophy

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