Memoria del Rojo: Method, Craft, Technique, and Artistic Purpose


Just as the Islamic masters used certain artisanal techniques based on mathematical, geometric, and theological aspects in ornamentation, the possibility of using aspects imported and applied from the world of carpentry or from the arrangement of the tiles from that Arab world in a purely artistic work also comes up in the title of this presentation. The numerous processes employed by the Arab architect and artisan mainly concerned surface and space from a visual point of view, from a musical point of view, they would have to concern the acoustic representation of time and space. Interdisciplinarity is one of the main consequences of this technical work and the application of various methods. The work for orchestra Memoria del rojo would be one example of this reflection

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